{"id":17149,"date":"2026-07-17T09:39:48","date_gmt":"2026-07-17T08:39:48","guid":{"rendered":"https:\/\/www.museuemporda.org\/?post_type=activitat&p=17149"},"modified":"2026-11-04T10:37:22","modified_gmt":"2026-11-04T09:37:22","slug":"una-historia-entre-lart-i-la-poesia-estimat-lector-no-llegeixis","status":"publish","type":"activitat","link":"https:\/\/www.museuemporda.org\/?activitat=una-historia-entre-lart-i-la-poesia-estimat-lector-no-llegeixis","title":{"rendered":"UNA HIST\u00d2RIA ENTRE L\u2019ART I LA POESIA: ESTIMAT LECTOR, NO LLEGEIXIS"},"content":{"rendered":"

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ACTIVITATS<\/p>\n

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Dimecres 7, 14, 21 i 28 d’octubre.<\/span><\/p>\n

Curs a c\u00e0rrec de Gabriel Ventura<\/strong> (Granollers, 1988), escriptor i artista. Una de les seves \u00faltimes col\u00b7laboracions ha consistit en la investigaci\u00f3 hist\u00f2rica i liter\u00e0ria de LUX (2025), \u00e0lbum de Rosal\u00eda. Aquesta investigaci\u00f3 s’ha publicat en el LUX ZINE, juntament amb les lletres de la cantant.\u00a0<\/span><\/p>\n

El seu treball sol partir de la poesia i des d’aquesta disciplina s’expandeix en moltes direccions: l’assaig, l’ensenyament, la investigaci\u00f3 o la imatge en moviment.\u00a0Entre les seves obres destaquen\u00a0W\u00a0(1a edici\u00f3, 2017; 2a edici\u00f3 ampliada, 2019),\u00a0Apunts per a un incendi dels ulls\u00a0(2020) \u2014que va donar t\u00edtol a una exposici\u00f3 hom\u00f2nima al MACBA,\u2014,\u00a0La nit portuguesa\u00a0(2021) \u2014diari de rodatge d’un film d’Albert Serra\u2014 i\u00a0El millor dels mons impossibles\u00a0(2025).\u00a0Alguns dels seus textos s’han tradu\u00eft a l’angl\u00e8s, franc\u00e8s, grec, neerland\u00e8s, turc i portugu\u00e8s.\u00a0Per altra banda, ha col\u00b7laborat amb institucions com\u00a0el MACBA, TBA21 Thyssen-Bornemisza, Framer framed, Eina, Elisava, Museu T\u00e0pies, Centre d’Art Contemporani Fabra i Coats, Filmoteca de Catalunya, Centre d’Arts Santa M\u00f2nica o la Biennal de Ven\u00e8cia (pavell\u00f3 catal\u00e0, 2019), entre molts altres. Ha realitzat lectures i accions en festivals com FIL Guadalajara, Barcelona Poesia o Festival E\u00f1e.\u00a0<\/span><\/p>\n

Paral\u00b7lelament, ha escrit, produ\u00eft i dirigit dos peces audiovisuals amb Rosa Tharrats:\u00a0Els miracles del Mestre Cabestany\u00a0(2023, Loop Festival) i\u00a0El riu era verd i blau i groc, presentat a Manifesta 15 (Barcelona, 2024) i Festival M\u00e1rgenes (2024). A m\u00e9s de crear conjuntament la micro\u00f2pera\u00a0Aura\u00a0(2025), amb m\u00fasica de Marina Herlop i producci\u00f3 de Liceu, Macba i CCCB.\u00a0<\/span><\/p>\n

Actualment \u00e9s professor a BAU i codirector del festival POESIA i +.<\/span><\/p>\n

Molts artistes tenen un quadern a l’estudi on van apuntant idees, pensaments i viv\u00e8ncies. D’altres, com Dal\u00ed o Leonora Carrington, van escriure dietaris d’una for\u00e7a i una originalitat tan viva com els seus quadres. A partir dels anys seixanta, amb l’aparici\u00f3 de l’art conceptual i de moviments com Fluxus (continuadors de les avantguardes i el situacionisme), les arts visuals i l’escriptura reforcen els seus vincles fins al punt que a vegades es confonen i intercanvien m\u00e0scares i m\u00e8todes. En aquest curs llegirem i comentarem llibres escrits per artistes, cr\u00edtics, galeristes i comissaris d’art. Descobrirem per qu\u00e8 Dal\u00ed deia d’ell mateix que era m\u00e9s bon escriptor que artista, o de quina manera les performances d’Esther Ferrer o de Robert Filliou es poden llegir com poemes gestuals. Tamb\u00e9 estudiarem les notes de cr\u00edtics com Magnani, Pepiatt o \u00c1ngel Gonz\u00e1lez, que es van apropar a l’art amb ull cl\u00ednic i enamorat, sempre atents als detalls m\u00e9s subtils de les obres, tot posant en di\u00e0leg tradicions, disciplines i maneres de treballar.\u00a0<\/span><\/p>\n

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UNA HIST\u00d2RIA ENTRE L\u2019ART I LA POESIA: ESTIMAT LECTOR, NO LLEGEIXIS<\/p>\n

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Sessi\u00f3 1<\/span><\/p>\n

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Sessi\u00f3 2<\/p>\n

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Sessi\u00f3 3<\/p>\n

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Sessi\u00f3 4<\/p>\n

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